praelocutio.exordium.prolusio I.

 

 

MODES OF WORK

 

The program combines several interconnected modes of artistic and critical activity.

 

Artistic presentation and contextualization

Participants articulate the methods, premises, histories, and unresolved questions of their practices. Presentation enables a project to become available for collective examination without requiring premature simplification.

 

Collaborative development

Participants engage in sustained exchange around works in progress. Collaboration may involve discussion, testing, technical consultation, shared fabrication, performative activation, revision, and the negotiation of artistic decisions.

 

Material and technical experimentation

Materials, tools, code, systems, objects, and environments are examined as active components of artistic thought. Their behavior, limitations, histories, and consequences become part of the inquiry.

 

Performative and participatory inquiry

Participants investigate how works are activated by bodies and publics. Attention is given to agency, responsiveness, access, instruction, interpretation, risk, and the production of meaning through situated action.

 

Critical reflection

Participants examine the assumptions, values, infrastructures, and contexts informing their work. Reflection addresses individual projects, collaborative relations, technological choices, institutional conditions, and the conceptual framework.

 

Prototyping as knowledge production

Prototypes are used to test propositions, expose dependencies, and generate knowledge through operation. They may lead toward a stable realization or remain deliberately provisional.

 

Documentation and mediation

Participants consider how processes and works are recorded, described, contextualized, and transmitted. Documentation is treated as an interpretative practice rather than as a neutral record.

 

Public presentation

Projects are presented at the seventh Bled Contemporary Music Week. Public encounter provides a provisional point of articulation within the residency’s longer process of inquiry.

DATES

MENTORS 

ARTISTIC PREMISE

CONCEPTUAL FRAMEWORK

WHO THE RESIDENCY IS FOR

PROGRAM STRUCTURE

MODES OF WORK

CENTRAL QUESTIONS

ARTISTIC DEVELOPMENT

ANTICIPATED OUTCOMES

INTERNATIONAL EXCHANGE

WHY PARTICIPATE?

APPLICATION

APPLICATION FORM AND

PARTICIPATION FEES

The praelocutio.exordium.prolusio program is produced by .abeceda Institute

.abeceda [Institute for Research in Art, Critical Thought and Philosophy], a public-benefit NGO and non-profit organisation dedicated to advancing contemporary artistic practices and critical inquiry. Through its innovative programmes, .abeceda has gained international recognition as one of the leading platforms for contemporary music and artistic research in the Adriatic region and across Europe: www.abeceda.io